LET THE GOOD TIMES ROLL: A NEW ORLEANS GUMBO. David Appleford, BroadwayWorld Guest Contributor

As for technical credits, the production is performed on an effectively detailed set design by Douglas Clarke, where you can practically smell the atmospheric Louisiana environment. A constantly shifting back screen projection by Anthony Churchill adds its own flavor to the surroundings, while Charlie Morrison lights the stage using practically every color in the rainbow. The result is a visual feast, further enhanced by sparkling costumes from Adriana Diaz and Alita Lopez’s ever-changing hair and makeup design.